Mexican Film/Maria Candelaria
A 7 page research paper/essay that discusses Emilio Fernandez’s Maria Candelaria (1943) and how this film relates to the task of addressing the legacy of colonialism within the context of Mexican history. Mexico, as Andrea Noble points out, is fundamentally a “mestizo entity,” that is, it is the product of “the colonial encounter between Indians, Spaniards (and Africans)” (Noble 81). As such, the Mexican culture struggles to understand its fundamental nature and to express the cultural dichotomies held within this paradigm. One of the ways in which this task has been expressed is through cinema. Bibliography lists 5 sources.
File: D0_khmexmc.rtf
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