"Naturalism" in Two Strindberg Plays.
(5 pp) In the he late 1880s Strindberg began to
experiment with free verse and created the great
dramas The Father (1887), Miss Julie (1888), and
Creditors (1888). The Father vividly expresses
Strindberg's view of the war between the sexes, in
which he saw man as victimized by woman. Miss Julie
is a psychological study of the seduction of an
upper-class woman by an insensitive chauffeur.
This discussion will look at the naturalism shown
in both plays.
Bibliography lists 6 sources.
File: D0_BBstrnbR.doc
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